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Bruno Stevens in Georgia

Hello all,
I have been in Georgia for about a week, where I am available for assignments.
My pictures are online on my DigitalRailroad archive:
www.drr.net/bruno

Bruno

by Bruno Stevens at Sun Aug 17 04:55:57 UTC 2008 (ed. Aug 27 2008) Gori, Georgia | Bookmark |

very Good

by Dato Rostomashvili | 17 Aug 2008 06:08 | Tbilisi, Georgia |
Without willing to be disrespectful to Bruno Stevens’s work in Georgia, i feel to say that this portfolio needs an edit.
To many photos for a subject which seems incapable as recorded to explain the big volume.

Its good, but with a tight edit it could be a lot better (and honest), in my opinion..

J.J.

by Jonnek Jonneksson | 17 Aug 2008 07:08 | Athens, Greece |
Great pics, loose edit or not. The image of circular tracks left by Russian military vehicles on the road in Georgia sums it up very nicely.

by John Watts-Robertson | 17 Aug 2008 07:08 | somewhere, United Kingdom |
i think the broad edit is for archive sales, not a portfolio… since it is on DRR.

I noticed a photo that is the same image as Jan Grarup and Joao Silva, #109, the woman on the side of the road on crutches. not so hard to see who’s traveling with who… i’m not criticizing that, just making an observation.

by Narayan Mahon | 17 Aug 2008 10:08 (ed. Aug 17 2008) | Istanbul, Turkey |
“i think the broad edit is for archive sales, not a portfolio… since it is on DRR.”

Yes, but since you are giving a link that is indicating a PHOTOGRAPHIC work to PHOTOGRAPHERS, welcoming them (i suppose) to see your work, its absolutely logical to expect PHOTOGRAPHIC reactions, Don’t you agree?

As far as i know this site (LS) is consist of photographers at the major percentage, not editors who seeking for entire archives to buy. Even if you consider (normal) editors as possible viewers after the supply of a link here, you should know that they are interested those days for edited work, not for the whole thing.

So I think that is not so paradox for a photographer to regard a photographic work as a portfolio.

by Jonnek Jonneksson | 17 Aug 2008 20:08 | Athens, Greece |
You need to get a life Jonnek. He’s advertising his availability to people who commission photographers. That would be editors. So bugger off with your logical conclusions and your paradoxes. Take it or leave it, but don’t get your knickers in a twist

by Wade Laube | 18 Aug 2008 10:08 | Amsterdam, Netherlands |
Thanks for the link, Bruno. Keep up the good work!

by John Robert Fulton Jr. | 18 Aug 2008 12:08 | Dallas, TX, United States |
It’s a loose edit, but it’s a very strong body of work. Thank you Bruno.

jack

by Jack Kurtz | 18 Aug 2008 12:08 | Phoenix, AZ, United States |
"So bugger off with your logical conclusions and your paradoxes. Take it or leave it, but don’t get your knickers in a twist "

I would like to remind you that we are not in such a relationship state where you have the ease to refer to me in that way.

But i can understand that you must have a significant reason to to take this ease by yourself.

Anyway, i thought that the all thing is about photographers photographs and the principals in between.

But i was wrong..

I can see now that for some people is about preserving relationships (for a profit, or not), even if they have to by-pass common logic for performing their “community thing”.

Wade i already got a life, thank you very much.

Get well soon.

by Jonnek Jonneksson | 18 Aug 2008 14:08 (ed. Aug 18 2008) | Athens, Greece |
hey guys…chill out :-)
DRR is an online ARCHIVE, NOT a portfolio. It is meant for picture editors to have a broad choice, to be able to build up an edit that could go beyond the sum of its parts…a picture, or a group of pictures, is about rhythm, construction, dialogs, counterpoints or emphasis; it is pretty much like a musical partition, a good picture editor will act as a musical director. There is much more to photography than just a ‘strong’ image. You need more subtle pictures as well, to build up a sequence with forte and pianissimi, there are different criteria then simply “strong or soft”. Layout comes into play as well, images work together, they talk to each other…
Oh, one more thing…when you spend 12 hours a day on the field, before editing, photoshopping, captioning and filing, you feel it is better to send a few pictures too many than make ‘arty’ decisions.
Anyway, this is how I feel. If you feel that you can come up every day with the ‘perfect edit’ in those conditions, I suggest you pick up a job as a director of photography…

Bruno

by Bruno Stevens | 18 Aug 2008 17:08 | Gori, Georgia |
Nice work, Bruno. If you don’t mind a technical question, how are you doing your BW conversions? I like the overall tonality, skin tones, and the way bright skies and dark subjects are under control. Any special tricks?

Bill

by Bill Crandall | 18 Aug 2008 18:08 | Washington DC, United States |
Stay safe Bruno!

I like the dark tonality as well (m8?)…got some great pics….

yea, it’s an archive folks, not an essay or portfolio…i dont understand all the hallabalue…

anyway, another day in the life of LS ;)))

good luck Bruno! keep us posted..

cheers
bob..

by Bob Black | 18 Aug 2008 22:08 | Toronto, Canada |
Great work, please stay safe! It seems journalist are a target there as well, a disturbing trend. Are you perhaps using the M8? Either way, excellent work.

by Juan Carlos Delgado | 18 Aug 2008 23:08 | Portland, United States |
“Oh, one more thing…when you spend 12 hours a day on the field, before editing, photoshopping, captioning and filing, you feel it is better to send a few pictures too many than make ‘arty’ decisions.”

I am not talking about “arty” decisions or about a “perfect edit”, Bruno Stevens, and i believe you already know that..

I am talking about a logical FIRST edit which can empower the body of your work..

If you show (to anyone anyway) 129 pictures of a single subject with such a motive like yours, it is very tiring, especially when there are some good images there, for someone to try automatically to make an edit as a viewer (even he is a photographer, director of photography, editor, musician, salesman, pizza maker, or president of the United States), DRR or not.

The result is for the good photos to be weaken and then the whole body of work weakens too.

You say that you had no time to make “arty” decisions, but at the same time you apparently had plenty of (time) to “photoshopping, captioning and filling” (and converting to b/w with an “arty” manner) 129 pictures, i feel that something is a bit odd here.

“I suggest you pick up a job as a director of photography…”

And finally, I don’t understand why i have to accept all this aggressiveness and impossible irony, for trying simply to insist in my point of view. I have the right to insist on that, don’t I?

YOU gave us a link of your work for entirely obvious reasons. I really thought initially that those obvious reasons where for you to present your last accomplishment and then for us to express our sincere points of view regarding what you have proposed us to have a look at.

But now i believe that the whole thing is about a celebration PARTY, where everybody must come officially dressed, having an enormous smile in their faces and a lovely present in the hand, saying the usual nice and cute words to the landlord, so everyone is happy.

I am really sorry for not getting the picture here.

I can assure you Bruno Stevens that you will not have to face again my uncomfortable presence under a post of yours.

Keep up the good work.

J.J.

by Jonnek Jonneksson | 19 Aug 2008 00:08 (ed. Aug 19 2008) | Athens, Greece |
Jonnek,
you are aboslutely welcome and free to express your point of view, so am I…we agree to differ, that’s all.

“You say that you had no time to make “arty” decisions, but at the same time you apparently had plenty of (time) to “photoshopping, captioning and filling” (and converting to b/w with an “arty” manner) 129 pictures, i feel that something is a bit odd here.”

Jonnek, without wanting be patronizing here, if I have a reputation for producing decent images, it is because I am working very hard for it (you are free to ask anyone who has ever worked with me on the field, I may be disliked by some, but I doubt you’ll ever find anyone disputing the fact that i am a hard worker); the ‘plenty’ time you referring to would be my normal sleeping time. I have slept just 16 hours in 5 days, it is MY choice to put my work before my comfort. All my pictures are always properly and accurately captioned, I need to file them to 3 different locations on a slow internet line.

Have a good day.

Bruno

by Bruno Stevens | 19 Aug 2008 06:08 | Gori, Georgia |
Hey Bruno,

I was indeed able to see you working quite hard over there. Actually you hardly have time to say hello sometimes…anyway was great seeing you! I’m still working on captions but here is a link to my photo story

www.geophotos.com/georgia.html

See you someday somewhere.

Eddie Gerald

by Eddie Gerald | 19 Aug 2008 08:08 (ed. Aug 19 2008) | Tel Aviv, Israel |
Eddie, i wanted to see your photos but strangely the Turkish government (in all their wisdom and love of censorship) has blocked your website!!! Did you insult Ataturk on there?

by Narayan Mahon | 19 Aug 2008 08:08 | Istanbul, Turkey |
not found in the uk either, maybe a bad link?

by Brian David Stevens | 19 Aug 2008 09:08 | London, United Kingdom |
Hi Narayan,

Yes I know that my website was blocked by Turkish cencorship after uploading a photo essay about the Kurdish issue. Hope I will not be questined or detained next time I visit Turkey.. Anyway the link of Georgia essay is working fine over here (Israel)!

Cheers

Eddie

www.geophotos.com

by Eddie Gerald | 19 Aug 2008 09:08 (ed. Aug 19 2008) | Tel Aviv, Israel |
Works here in Australia. Strong essay.

Great work Eddie and Bruno

by George Voulgaropoulos | 19 Aug 2008 10:08 | Sydney, Australia |
Eddie, it’s strange, because there is no problem in seeing other essays about Kurds. What was the problem with your essay for the government to block the site? Is there another place to see the work?

by Narayan Mahon | 19 Aug 2008 14:08 | Istanbul, Turkey |
Hi Bruno
Have sent you a PM.
By the way Jonnek – I’m an editor and I have no problem with viewing Bruno’s pictures that way.
Your attitude on here would put me off commissioning you though.
Jo

by Jo Walker | 19 Aug 2008 15:08 | London, United Kingdom |
Eddie :))

great essay…can view it fine from Toronto :))

cheers
bob

by Bob Black | 19 Aug 2008 15:08 | Toronto, Canada |
Amazing work Bruno, as always!

by Noah Addis | 19 Aug 2008 16:08 | Philadelphia, United States |
Bruno, great stuff…
Eddie… ditto.
Thanks, and keep safe.

by J-F Vergel | 19 Aug 2008 17:08 | New York City, United States |
Narayan.

I think Turkey cencorship had problems with the captions to the photos in my website. Try to see the essay in this Israeli News portal. Captions are in hebrew though.. turn on sound in your computer because this Kurdish song is amazing!

http://www.ynet.co.il/home/0,7340,L-4039,00.html

or try this link also. Captions in Engkish ( mirror site)

http://www.geocities.com/Baja/1838/kurds.html

hope it helps.

Eddie

by Eddie Gerald | 19 Aug 2008 18:08 | Tel Aviv, Israel |
I actually think it’s great that Bruno puts out a big edit like this while he is still shooting. I mean just a few years ago you would never be able to see a photographer’s work as he was making it and you never would be able to see so many pictures, ever. The magazine’s 8-12 pictured edit was it.

by Davin Ellicson | 19 Aug 2008 18:08 (ed. Aug 19 2008) | Gt. Barrington, MA, United States |
Eddie, got it to work now, must have been the work mac, how odd. Great stuff! I agree with with Davin, its great seeing a big edit, nearly as good as contact sheets…

by Brian David Stevens | 19 Aug 2008 18:08 (ed. Aug 19 2008) | London, United Kingdom |
I have nothing to say about Bruno’s edit, I just find funny that he speakes of himself in the third person… It reminds me of Caeser in Asterix comic books…

by Alexandre Vaz | 19 Aug 2008 19:08 | Lisbon, Portugal |
Alexandre,
Third person? where?
Geez, I really should get some sleep!!!

Hey Eddie, it was nice to see you again, are you still around or back in TA?

B.

by Bruno Stevens | 19 Aug 2008 19:08 | Gori, Georgia |
I’m back in TA Bruno. Stay safe over there and watch out! someone might be interested in your Leica stuff. I almost got my camera stolen at gun point few days ago in a flagship village north of Gori. Lucky a Russian commander passed by…

Eddie

by Eddie Gerald | 19 Aug 2008 20:08 | Tel Aviv, Israel |
Go, Jo!

You are not the first editor who has been put off by some of the remarks made here in less than thoughtful ways. I have often in other posts tried to remind people that their remarks have an impact beyond those posting in the thread, and they should consider that before they make negative comments.

I firmly support the open, non-moderated nature of Lightstalkers because of just this…people can figure out pretty quickly whether someone can exercise good judgment with photography and editors, whether as a cooperative collaborator or as a photographer strong in technique and substantive knowledge. I intend to post something on this subject when I get a chance, but for now this seems a good place for making that remark (and it bumps up Bruno’s excellent archive so perhaps other content consumers will also see it).

by Neal Jackson | 19 Aug 2008 21:08 | Washington, DC, United States |
Eddie, thanks for the link, very nice work… i have no idea why your site would be blocked for that. complete idiocy. I only wish i could see your work from Georgia.

by Narayan Mahon | 19 Aug 2008 21:08 | Istanbul, Turkey |
Hey Bruno.

Don’t worry, it’s no biggie.

I was just referring to the title “Bruno Stevens in Georgia”. I guess if it were me, I would just cal it “Portfolio from Georgia”, or something like that…

Cheers

alex

by Alexandre Vaz | 19 Aug 2008 23:08 | Lisbon, Portugal |
I think that is clear by now who belongs to the team of the (real) photographers, (real) editors and (really) respectful viewers, and who belongs to the team of the screaming cheerleaders and devoted cajolers.

He was extremely precise mr Henri Cartier-Bresson when he once advice me during a seminar in Germany: “Watch out for the monkeys of photography.”

I believe that i have to take this advice more serious from now on.

Ciao.

by Jonnek Jonneksson | 20 Aug 2008 02:08 | Athens, Greece |
while, at times, there can be a certain amount of sycophancy on LS, i don’t think this is one of those moments. It looks like most people think that it isn’t very fair to criticize someone for a broad edit of an archive, moreover, while the person is still in a conflict zone.

by Narayan Mahon | 20 Aug 2008 04:08 | Istanbul, Turkey |
“It looks like most people think that it isn’t very fair to criticize someone for a broad edit of an archive”

Narayan,

I don’t really believe that I’ve criticized Bruno Stevens for anything.

IF you take a look at my initial post you will probably understand that I simply expressed my opinion about his body of work, after he proposed to us the link of it..!

I don’t really know how this thing took so much of a volume as it was clear that I am not attacking, but simply insisting.

But in those days of hastiness without quality , insisting, is considered as attacking, at least for those poor-minded who feel the threat coming from everywhere..

As a matter of fact, i frankly advise everyone else who feel like teaching me manners, to have a look at my initial post.

I really hope this to get to an end, for god’s sake..

by Jonnek Jonneksson | 20 Aug 2008 04:08 | Athens, Greece |
Jonnek,

Could you please chill out??
Thank you for your comments on my work, I am sure everybody was enlightened by this discussion.

B.

by Bruno Stevens | 20 Aug 2008 05:08 | Gori, Georgia |
As a matter of fact it was…

by John Vink | 20 Aug 2008 10:08 | Phnom Penh, Centre of the Univ, Cambodia |
Eddie some sad to hilarious stuff on your site….

by Imants | 20 Aug 2008 11:08 | The Boneyard, Australia |
Great stuff on Eddie’s site, really liked it. Bruno’s good too, really enjoyed following events as they unfold.

by Hughes Leglise-Bataille | 20 Aug 2008 13:08 (ed. Aug 20 2008) | paris, France |

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Participants

Bruno Stevens, Photojournalist Bruno Stevens
Photojournalist
Chicago, United States
Dato Rostomashvili, Photographer Dato Rostomashvili
Photographer
Tbilisi, Georgia
Jonnek Jonneksson, Photographer Jonnek Jonneksson
Photographer
Berlin, Germany
John Watts-Robertson, Old-salt photographer John Watts-Robertson
Old-salt photographer
(JR)
northants, ETA 5 minutes, United Kingdom
Narayan Mahon, Photographer Narayan Mahon
Photographer
Ras al Khaimah, United Arab Emirates
En route to Kuwait (ETA: Nov 7 2008).
Wade Laube, Photographer Wade Laube
Photographer
London, United Kingdom
John Robert Fulton Jr., Photographs John Robert Fulton Jr.
Photographs
Fort Worth TX, United States
Jack Kurtz, Photojournalist Jack Kurtz
Photojournalist
Phoenix, AZ, United States
Bill Crandall, Photographer Bill Crandall
Photographer
Washington DC, United States
Bob Black, Suspect Photog/Writer Bob Black
Suspect Photog/Writer
(Dreamer- Archer-Husband-Dad)
toronto, Canada
Juan Carlos Delgado, Photographer Juan Carlos Delgado
Photographer
(El Dude)
Portland, OR, United States
Eddie Gerald, Photojournalist Eddie Gerald
Photojournalist
Tel Aviv, Israel
Brian David Stevens, cheery ray of sunshine Brian David Stevens
cheery ray of sunshine
London, United Kingdom (LHR)
George Voulgaropoulos, Photojournalist George Voulgaropoulos
Photojournalist
Sydney, Australia
Jo Walker, Picture Editor Jo Walker
Picture Editor
London, United Kingdom
Noah Addis, Photojournalist Noah Addis
Photojournalist
Philadelphia, United States
J-F Vergel, musician (ret.)/photograp J-F Vergel
musician (ret.)/photograp
New York City, United States
Davin Ellicson, Photographer Davin Ellicson
Photographer
New York, United States
Alexandre Vaz, Photographer Alexandre Vaz
Photographer
Lisbon, Portugal (LSB)
Neal Jackson, Photog, Media Consultant Neal Jackson
Photog, Media Consultant
(Beekeeper and Flaneur)
Washington, DC, United States
John Vink, Photojournalist John Vink
Photojournalist
Phnom Penh, Centre of the Universe, Cambodia
Imants,  "Photographer" Imants
"Photographer"
(gecko hunter)
The Boneyard, Sydney, Australia
Hughes Leglise-Bataille, photographer Hughes Leglise-Bataille
photographer
paris, France


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